Alexander Orlov: : .. . - .: .. , .. : . ., 1996. http://literra.websib.ru/volsky/1361 , [. . ] 1962 - . " . ".: , .153-155 http://emptyhouse.ru/crit/build-structural-model-short-stories/ http://www.ruthenia.ru/horror/poetic/sklovssky/novella.htm . .

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Alexander Orlov: "" - . - : The Wakley Prize, 2013: true stories Boyce, NiallView Profile; Palmer, Joanna; Pini, Pia. The Lancet382.9888 (Jul 20, 2013): 191. Stories that prove Sir Arthur Conan Doyle--creator of Sherlock Holmes and Lancet author--correct: "for strange effects and extraordinary combinations we must go to life itself, which is always far more daring than any effort of the imagination". What does today's doctor have in common with his or her forebears? The tools of the trade have changed. The expectations of the patient have changed. Even the social position of the doctor has changed. There is perhaps only one constant thread over the centuries of medical practice, and it is this: doctors deal in stories. The doctor puts together a patient's version of events, the objective signs of disease, and his or her own knowledge to construct a narrative. From this first story, others soon follow--the choice of treatment, the relationship between physician and patient, the advances, and the setbacks. The science with which the doctor started her journey might have been superseded or forgotten at the end of her career. The stories, however, remain. As Oliver Sacks said in a recent interview with The Lancet, "Certainly when I look back on my own medical student days in the 1950s, I can hardly remember any of the lectures that were given, but I do remember all of the patients." This year, The Lancet invites health-care practitioners to share true stories from their careers for the final issue of 2013. We're looking for accounts of the doctor-patient relationship that inspire, make us think, or even make us laugh. Stories that prove Sir Arthur Conan Doyle--creator of Sherlock Holmes and Lancet author--correct: "for strange effects and extraordinary combinations we must go to life itself, which is always far more daring than any effort of the imagination". Essays of no more than 2000 words should be submitted via the journal's electronic submission system by Oct 21, 2013, with "Wakley Prize" selected as the publication type. Essays should not contain any information that might identify individual patients. Entries will be anonymised, and judged by The Lancet's editors. The winner will receive £2000, and the essay will be published in The Lancet and feature in our podcast. So go ahead: tell us a story. " """: "for strange effects and extraordinary combinations we must go to life itself, which is always far more daring than any effort of the imagination", .. " , , , ". - 2000 . . : " ". : " , ."

Alexander Orlov: . . http://rudocs.exdat.com/docs/index-1895.html http://rudocs.exdat.com/docs/index-1895.html?page=2 http://rudocs.exdat.com/docs/index-1895.html?page=3 http://rudocs.exdat.com/docs/index-1895.html?page=4 : . . , , . : , 1978 , , . , Zeitgeist - ? - [Eco U., Sebeok T. A. Prefazionte. - In: Il segno dei tre: Holmes, Dupin, Peirce/A cura di U. Eco e T. A. Sebeok. Milano, 1983. P. 13]. , 1983 . : , , [The sign of three: Dupin, Holmes, Peirce/Ed. by U. Eco and T.A.Sebeok. Bloomington, 1983 (. )]. , .., , , - -: , . , , . , , : . : - . . - . . - . - . - . - . . . , , , . . , - - . (. . : ), , (, , ) . , , , - .. ... , . , de facto , . . , , ( .. .., .. .. 1980- .). , , . -. -. . . - . . , XIX ( , ) [ , .. , , (.: . 1969 . - .: . . ., 1977. . 227-273)], . , , , , , , , . 1874-1876 . Zeitschrift fuer bildende Kunst . ; . , . . , , . : , , . . , , , , , , : , .. , , , , : , , . , , : , , . , , . : , , , , , . , - , - . ; , , , <...> , , ... [Wind E. Op. cit. P. 63]. , , [.: Castelnuovo E. Attribution. - Encyclopaedia universalis. Vol. II. 1968. P. 782. . : Hauser A. Le teorie dellarte. Tendenze e metodi: della critica moderna. Torino, 1969. P. 97. . 12]. , () , . , , .. , , , (1892), . , - , . : [], , , . , , , , , [Conan Doyle A. The Cardbord Box. - In: Conan Doyle A. The complete Sherlock Holmes short stories. London, 1976. Pp. 923-947 ( . : . . . 8- . . 3. ., 1966. . 200-222). - . 932 ( ) . 209 ( )]. : , , , , , . , , . . . , , , , , . . , , . , , . , . , , -, ... [Conan Doyle A. Op. cit. P. 937-938 ( : . . . . 214). The Strand Magazine - 1893 ., . V. . 61-73. , (.: The annotated Sherlock Holmes. Ed. by W. S. Baring-Gould. Vol. 2. London, 1968. P. 208), (Ears: a Chapter On. - The Strand Magazine, VI, July-December 1893. P. 388-391, 525-527). The annotated Sherlock Holmes, , , , , , . , , : The Strand Magazine , (The Strand Magazine, V, January-June 1893. P. 119-123, 295-301). , - .] , [, , , - , . , , , 1869 . (.: Nordon P. Sir Arthur Conan Doyle. Lhomme et loeuvre. Paris, 1964. P. 9). 1887 . , : , , - , ... , , ?! (British Museum. Add. ms. 38965, Layard Papers. Vol. XXXV. C. 120v). ( , , ) . Catalogue of the works of art in the National Gallery of Ireland (Dublin, 1890). (, . 87) , 1887 . . 1883 . (. : Italienische Malerei der Renaissance im Briefwechsel von Giovanni Morelli und Jean Paul Richter, 1876-1891./Hrsg. von J. und G. Richter. Baden-Baden, 1960). ( ) 1887 . . , , , , , .]. , , . - - . , , , . [. : Conan Doyle A. The adventures of Sherlock Holmes. A facsimile of the stories as they were first published in the Strand Magazine. N.Y., 1976. P. X-XI. . , : Mayer H. La soluzione cento per cento. Milano, 1976. P. 214 (, , )]. , (-) . , (. ) , ( 1913 ) . , , , . : , ( ), ( ), ( ) [.: The Wolf-Man by the Wolf-Man./Ed. by M. Gardiner. N.Y., 1971. P. 146; Reik T. Il rito religioso. Torino, 1949. P. 24. .: Segre C. La gerarchia dei segni. - In: Psicanalisi e semiotica./A cura di A. Verdiglione. Milano, 1975. P. 33; Sebeok T. A. Contributions to the doctrine of signs. Bloomington, 1976.]. ? , . ; ; , . [ semeiotica . . - . ]: , , , (, - ), , . ( , -, , - ; ) [ , , , .: Conan Doyle A. The annotated Sherlock Holmes... Vol. 1. P. 7 sqq. (Two doctors and a detective: Sir Arthur Conan Doyle, John A. Watson, M.D., and Mr. Sherlock Holmes of Baker Street.) . : Conan Doyle A. Memories and adventures. London, 1924. P. 25-26, 74-75]. . XIX - , 1870 1880 . - , . .

: Alexander Orlov : , , , - .. ... , . . . .. , . - .. , ( ) -- . . , . . , . , " " .. .

Alexander Orlov: http://polit.ru/article/2013/08/03/ps_csi/ 24 , . (Ian Burney) , XX . , , (Edmond Locard) (Hans Gross) , . ...

Alexander Orlov: , "Mastermind. " http://www.ihearofsherlock.com/2013/07/episode-54-how-to-think-like-sherlock.html#.UyDOnz9_ucu mastermind : ; ( . Mastermind: a very intelligent or clever person, esp. one with the ability to plan or direct a group project; "mastermind behind the robbery" kriemhild); ; (an intelligent person who plans and directs a complicated project or activity (often one that involves a crime): The mastermind behind the robbery was never caught. At the time, the businessman blamed Surkov for orchestrating his ouster, saying the Kremlin's political mastermind was unhappy with his independent stance.); (Former Chechen militant emissary Akhmed Zakayev and businessman Boris Berezovsky both living in exile in London have been accused of being the masterminds behind the 2006 murder of Novaya Gazeta reporter Anna Politkovskaya, Kommersant reported Wednesday)

Alexander Orlov: " " http://www.torontobootmakers.com/wp-content/uploads/2013/10/2013-Fall-2.pdf

Alexander Orlov: , , ( confidence games and tricksters).

-Morse: Alexander Orlov : , , ( confidence games and tricksters). .

Alexander Orlov:

Alexander Orlov: http://ru.convdocs.org/docs/index-197972.html?page=9 . -, 6-8 2008 . (, ) XIX , , , , , , . , . , , . , , , .

-Morse: Alexander Orlov : . (, ) ,

Alexander Orlov: , . , . .

: The Adventure of the herry rchard oming soon

Alexander Orlov: Lawrence Frank Victorian detective fiction and the nature of evidence. The scientific investigations of Poe, Dickens, and Doyle . , http://detective.gumer.info/txt/frank.pdf Howard Haycraft Murder for pleasure. The life and times of the detective story . http://detective.gumer.info/txt/haycraft.pdf

: http://www.schoolandholmes.com/names.html

Alexander Orlov: . . 1 "ADVENTURES OF SHERLOCK HOLMES" .., .. . 2013. . 1. 1. . 55-59. 0 2 : [. .] / , , , . ., 2003. . Genius loci : GL 0 3 . , 2008. . . 1332 (1132) : : / 1890 . . 1933 . . 0 4 / ; [. . . ]. -, 2008. . Azbooka. 0 5 . , 2011. . 0 6 ... : .., .., .. . 2013. 3. . 69-77. 10 Ļ .. : , . 2011. 2. . 8-9. 0 11 .. / . , 2006 0 12 ( . ) .. / , 2006 1 13 230 . 2011.01.024. . ( ) .. . . 7: . . 2011. 1. . 159-164. 0 14 : ( 200- ) .. . : . 2012. . 109. 5. . 9-16. 0 15 2007.02.023. . : . SIDDIQI Y. THE CESSPOOL OF EMPIRE: SHERLOCK HOLMES AND THE RETURN OF THE REPRESSED // VICTORIAN LITERATURE AND CULTURE. - CAMBRIDGE, 2006. - N 34. - P. 233-247 . . . 7: . . 2007. 2. . 130-134. 0 16 2005.04.014. . : . - .: , 2005. -189 .. . . 7: . . 2005. 4. . 83-86. 0 17 2008.01.026. . : . TOBIN V. WAYS OF READING SHERLOCK HOLMES: THE ENTRENCHMENT OF DISCOURSE BLENDS // LANGUAGE AND LITERATURE. - LONDON; THOUSAND OAKS (CA); NEW DELHI, 2006. - VOL. 15, N 1. - P. 73-90 .. . . 7: . . 2008. 1. . 156-160. 19 ΌČ ѯ Ό ͌ Ίʯ ( ſ) .., .. . 2013. . 2. -2. . 66-69. 23 : XIX XXI .. . 2011. 8. . 148-162. 0 24 : .., .. XXI : . 2012. 05. . 52-56. 26 83 . Ż .. . 2008. 5. . 57-62. 0 27 THE ROLE OF ENGLISH NAMES IN RUSSIAN TRANSLATION .. . 2013. 11. . 818-820. 0 28 . .. . 2008. . 1. 1. . 33-49. 1 29 : [] .. . 2010. . 12. 1. . 16-32. 32 . .. . . 2004. 2. . 39-43. 34 .. . : . 2012. 1. . 113-117. 37 : () .. . 2010. . 15. 4. . 23-40. 39 Ԩ ? .. . .. . 2011. 6-2. . 656-660. 41 ( ) . . 2011. 108. . 184-213. 48 . . , . . .. . 2012. 9. . 214-215. 49 .. . 2013. 1 (4). . 057-066. 52 200 . .. . 2013. 5. . 90-96. 54 : .C. . : . 2012. 5. . 62-66. 57 .. . 2012. 11. . 127-133. 59 .. . .. . 2005. 37. . 1-25. 66 .. . .. . 2008. 54. . 35-43. 68 - λ .. Ļ .. . : . 2007. 4. . 147-150. 73 .. . 2009. 6. . 7-15. 90 200 . .. XXI . 2012. 2-2. . 363-368. 92 100 . Ҳ .., .. . 2012. 2 (18). . 122-125. 0 93 - . .. . . . 2012. 4. . 39-50. 95 ( ) .. . : . 2012. 3. . 75-81. 99 - Ȩ .. . 2012. 36 (290). . 31-35. 103 : û, .. . 2013. 10 (301). . 88-91. 108 .. . 2012. 9. . 080-094. 0 109 - . ߻ . л .. . . 2013. 11-1 (29). . 195-199. 0 110 175 . .. 113 .. . . 2013. 9-2 (27). . 77-81. 1 114 л ( ) . . 2013. 5 (123). . 326-329. 116 MATHCAD .. . 2013. 10 (93). . 57-58. 118 183 . .. . 2013. 2. . 180-184. 124 .. Sworld. 2007. . 14. 2. . 69-71. 129 REGULAE PROFESSORIBUS, .. . 2009. . 10. 4. . 84-99. 145 ( ջ ) . . 2002. 56. . 31. 151 117 . .. . 2011. 12. . 68-69. 154 .. . 2004. 3. . 4-11. 156 ( ) OF INFLUENCE THE REFERENTIAL ASPECT ON THE PORTRAIT DESCRIPTION (AT THE MATERIAL OF ENGLISH FICTION AND FOLKLORE) .. . : . 2009. 2. . 51-56. 165 2001.02.067. .. . .: , 1999. 164 .. . . 4: . . 2001. 2. . 235-237. 167 ., .. . 2006. 1. . 158-168. 171 230 . 2009.02.028. . . DEMENCHONOK E. FROM A STATE OF WAR TO PERPETUAL PEACE // AMERICAN JOURNAL OF ECONOMICS AND SOCIOLOGY. - BOSTON, 2007. - VOL. 66, N 1. - P. 25-47 .. . . 3: . . 2009. 2. . 159-162. 0 172 58 . , Ũ ? .. . 2008. 17. . 15-17. 0 173 Ż (SPOTLIGHT) 10 .., .. . 2007. 1. . 144. 0 174 .. . 2008. 4. . 181a-183. 0 175 230 . 2009.03.014. . . STEINMETZ G. EMPIRE ET DOMINATION MONDIALE // ACTES DE LA RECHERCHE EN SCIENCES SOCIALES. - P., 2008. - N 171-172. - . 4-19 .. . . 9: . . 2009. 3. . 36-40. 179 200 . () .., .. . 2011. 3. . 47-50. 0 180 .. : , , : . . " " . . - . ; .: .., . . .. , 2000. . 91-107. 181 - .. . 2009. 5. . 49-51. 0 182 200 . .. . . XVII . .: , . , 2009, 647 .. . 2010. 5. . 184-187. 185 58 . .. . 2008. 6. . 37-39. 0 186 . : / . .. , .. . .: , 2007. 601 .. . 2008. 5. . 177-179. 190 . . 2007. 4. . 70-74. 0 191 BLOOM HAROLD. HOW TO READ AND WHY. - NEW YORK: TOUCHSTONE BOOKS, 2001. - 283 P. BLOOM HAROLD. STORIES AND POEMS FOR EXTREMELY INTELLIGENT CHILDREN OF ALL AGES. - NEW YORK: SCRIBNER, 2001. - 573 P. . . 2004. 65. . 40. 195 100 . . . 2011. 5. . 21-22. 197 : . . . . . 2011. . 4. 4. . 92-95. 200 .. . 2012. 2. . 123-131. 203 .. . : . 2011. 1. . 349-351. 0 204 50 . : .. . 19: . 2012. 1. . 170-177. 208 2008.01.007. : ? (. . -XXI .): . . . / . . . .-. . . ; .: .. (. . .), .. (.) . - ., 2006. - 323 .. . . 7: . . 2008. 1. . 45-51. 214 100 . .. - . 2010. 3. . 153-156. 216 100 . .. . 2008. 5. . 218-221. 0 217 .. : .. . 8: . . 2006. 5. . 106-110. 220 .. . 2010. 3. . 122-127. . 221 58 . ӻ? .. . 2009. 19. . 6-11. 0 222 50 . ... . 12: . 2009. 4. . 109-120. 0 223 167 . : .. . 2009. 2. . 98-103. 0 224 160 . ANGER .. . 2009. 3. . 53-58. 1 225 58 . . .. . 2010. 20. . 30-34. 0 226 , . : . - : . . " " . -. . ; . . .. . . ... , 2008. . 181-184. 228 . Ȼ .. . 2009. 4. . 123-128. 233 , ? ? .. : - . 2003. . 5. 1. . 23-32. 240 : .. - . 2: . 2010. 4. . 77-83. 241 Ȼ XIX- XX .. - . .. . 2010. . 7. 2. . 134-138. 253 2010 .: .., .. . . 2011. 2. . 22-35. 0 254 .. . . 2011. 3. . 146-154. 272 150 . .., .. . 2010. 2. . 95-108. 1 273 : .. . 2008. 2. . 32-41. ( ) .. - . 8: . 2004. 4. . 99-117. 7 276 : ? ( -I .) . . . / . .-. . . ; .: .. (. . .), .. (.). , 2006. . 279 100 . DREAM , : .. . 2011. 4. . 67-75. 288 . . 2006. 4. . 196-206. 290 : " " . 292 500 . - / . .-. . . ; . . ..; . . ..; . - ..; .: .., .., .., ... , 2011. . 303 . - : / . -. . ; . . .. . . ... , 2008. . . 8

-Morse: ! ? ... - : Alexander Orlov : :

Alexander Orlov: elibrary

Alexander Orlov: .. " " . KENNEDY J.G. THE NARRATIVE OF ARTHUR GORDON PYM: AND THE ABYSS OF INTERPRETATION. - N.Y.: TWAYNE, 1995. - XIV, 107 P. (TWAYNE'S MASTERWORK STUDIES). - BIBLIOGR.: P. 93-100 .. . . 7: . . 1997. 1. . 25-30. .. . . SMIDT .. ELIOT'S CRITICISM OF MODERN PROSE FICTION// ENGLISH STUDIES. A. JOURNAL OF ENGLISH LANGUAGE AND LITERATURE. LISSE, 1995. - VOL. 3,5 1. - P.64-79 .. . . 7: . . 1997. 2. . 31-37. .. : . NOVICK S.M. HENRY JAMES: THE YOUNG MASTER. - N.Y.: RANDOM HOUSE, 1996. - 560 P .. . . 7: . . 1998. 4. . 150-155. - Ż .. . .. . 2008. 82-1. . 112-118. . HEWLETT-PACKARD . . 1999. 1. . 50-51. .. : XVIII-XX . .: , 2000. 291 .. . . 7: . . 2000. 4. . 58-65. : ɻ . .. . . . 2001. . III. 3. . 11-23. . -. ERNST . POPLITERATUR. HAMBURG, 2001. 96 S .. . . 7: . . 2003. 2. . 175-181. : . XIXXX .: .. THE NEW WOMAN IN FICTION AND IN FACT. FIN-DE-SIECLE FEMINISMS / ED. BYRICHARDSON A., WILLIS C. PALGRAVE, 2001. 285P .. . . 7: . . 2003. 3. . 189-197. .., .. : . - .: , 2002. - 143 . - . - (STUDIA PHILOLOGICA. SERIES MINOR). . . 2003. 64. . 39. .. . 2: . 2003. 3. . .. . 2003. 2. . 121-130. 1917 : .. . 2003. 6. . 8-21. ܻ .. . .. . : , , . 2004. 1. . 209-230. XIX : . . 2004. 70. . 13. . . 2004. 70. . 22. - ܻ . .. . 2004. 18. . 278-288. . .. . . 2004. 2. . 39-43. .. . 2004. 2. . 154-156. " " .. . 2004. 5. . 3-19. .. . 2004. 1. . 130-140. . 19-1. . ( ). 2005. 2. . . : . WESSELING E. JUDITH R. HARRIS: THE MISS MARPLE OF DEVELOPMENTAL PSYCHOLOGY // SCIENCE IN CONTEXT. - CAMBRIDGE ETC., 2004. - VOL. 17, N3. - P.293-314 .. . . 8: . . 2005. 3. . 73-80. . . . 2005. 72. . 63. .. . 2005. 2. . 31-34. ( POSSESSION .. - . : . 2005. 11 (51). . 89-93. : " " . . 2005. 3. . 16. - ! .., .. . 2005. 12. . 29-38. : .. . 2005. 4. . 66-83. . . . . 2006. 12. . 6-23. : 19-1. . ( ). 2006. 16. .. . 2006. . 7. 2. . 48-59. .. . .. . 2006. 6. . 313-316. . .. . 2006. 8. . 99-105. , .. . 2006. 18. . 34-57. .. - . .. . 2006. . 3. 1. . 96-103. , Ż .. . 2006. . 9. 3. . 178-187. ۻ ? .., .. . 2006. 16. . 36-42. -Ļ .. . : . . . 2006. 1. . 5-15. .. . 2006. 2. . 40-43. .. . 2006. 2. . 68-74. ( ) .. - . 2006. 4. . 109-111. ( ͻ) .. . : . 2006. 2. . 115-119. - .. . 2006. 9. . 235-238. .. . 2006. 5. . 182-209. X.X. . 2006. 10. . 66-69. ( . . ) .. . 2006. 8. . 66-74. .. . 19: . 2006. 1. . 141-148. 3. . . . . . (1915-1923): ( , ()) . 2006. 3. . 193-229. - N.. - . 2006. 4. . 165-169. .. . 2006. 4. . 29-37. - .. . : . 2007. 2. . 216-222. .. , , . 2007. 17. . 112-125. 20-30- . .. . 2007. . 4. 1. . 131-136. .., .. Universum: . 2007. 10. . 46-51. - .. . : . 2007. 1. . 274-277. . . 2007. 1. . 9-12. .. . . . 2007. 2. . 216-222. . . I. , , , . ., 2001 . . .. . 2007. 3. . 95-97. : .. - . 2007. 3. . 201-204. ENJOY ENGLISH?! .. . 2007. 6. . 68-71. - . . 2007. 7. . 77-83. .. . 2007. 9. . 50-51. , . . 2007. 03. . 155-168. . ? .. . 2007. 5. . 93-111. : . 1980-2000 . . 2007. 5. . 7-45. - - , ǻ .. . 2008. 4. . 39-44. ( .. ߻) .. . . . 2008. . X. 2. . 126-130. Ż .. . 2008. 5. . 57-62. ջ ջ XX .., Ҹ .. . 2008. 543. . 45-56. .. . . 2008. 1. . 17-26. .. . .. . 2008. 49. . 323-327. .. . 2008. 7. . 51-55. ( ) .. . . 2008. 49. . 58-61. Ȼ: .. . - . 2008. 1. . 44-53. . .. . 2008. 3. . 138-146. . . . 2008. . 41. 2. . 331-352. : . . 2008. 3. . 5-51. ߻ - .. . 2008. 311. . 50-54. : . . 2008. . 44. 5. . 57-65. - (1867-1928 .) .. (). 2008. 4 (17). . 33-34. . . . 2008. 11. . 139-152. .. - . 2008. 3. . 248-271. .. . 2008. 4. . 64-75. . .. Musicus (). - . .. -. 2008. 3 (12). . 48-51. .. . 2009. 6. . 21-25. .. . 2009. 10. . 26-29. . : -? MAJOR P. BRITAIN AND GERMANY: A LOVE-HATE RELATIONSHIP? // GERMAN HISTORY. - OXFORD, 2008. - VOL. 26, N 4. - P. 457-468 .. . . 5: . . 2009. 4. . 117-119. '' .. . 2009. 35. . 48-51. -. .. . 2009. 10. . 41-45. : () .. . 2009. . 10. 3. . 105-115. ߻ : ( "" . ) .. . 2009. . 8. 1. . 32-40. ߻ .. . 2009. . 2. 2. . 141-149. . . ۻ .. . - . 2009. 2. . 60-69. . Ȼ Ż .. . 2009. 31. . 123-125. .. i i = = Actual problems of mind. 2009. 10. . 219-233. .. - . 6: . . . . . 2009. 1. . 212-220. .., .. . 2009. . 1. 11. . 186-191. : .. . .. . 2009. 5. . 22-28. . . 2009. 7. . 107-115. .., .. (). 2009. 3 (20). . 6-8. .. .., .. , , . 2009. 25. . 218-227. . . , . ( ) .. . 2009. 3. . 15-21. ܻ .. , , . 2009. 7-2. . 57-59. .. . 2009. 3. . 110-115. .. . 2010. . 70. 1. . 133-141. . , ߻ .. . . : . . 2010. . 10. 1. . 51-57. : ͨ Ļ - ջ . .. . 2010. 8. . 5-8. : [] .. . 2010. . 12. 1. . 16-32. .. - . 2010. 3. . 66a-69. . , Ĩ .. . 2010. 14. . 40-42. .. - . 2010. 3. . 153-156. ( ) .. . : . 2010. 3. . 194-199. - XIX .. . 2010. 5. . 44-54. .. . 2010. 21. . 5-9. .. . 2010. 16. . 29-33. : " ", .., .. . 2010. 5. . 8-13. : .., .. . 2010. . 14. 3. . 17-32. : () .. . 2010. . 15. 4. . 23-40. - ( ) .. . 2010. 12. . 77-85. ۻ .. . 2010. 2-2. . 154-157. , - .. . 2010. 1. . 37-41. . . : .. . . . 2010. 1. . 246-250. .. . 2010. . 2. 11. . 80-85. . . VAN DER LAAN J. FRANKENSTEIN AS SCIENCE FICTION AND FACT // BULLETIN OF SCIENCE, TECHNOLOGY & SOCIETY. - 2010. - VOL. 30, N 4. - P. 298-304. - DOI:10.1177/0270467610373822. - MODE OF ACCESS: HTTP://BST.SAGEPUB. COM/CONTENT/30/4/298 .. . . 8: . . 2011. 1. . 54-61. Ȼ .. ( ?) .. . : . . 2011. 1. . 45-48. , : , .. . 2011. 8. . 3-10. .. ( ) .. . : . 2011. . 153. 2. . 229-237. .. . .. . 2011. 143. . 94-102. : .. . 2011. 11. . 88-99. .. . 2011. 6. . 207-213. : , .., .. . 2011. 2. . 26-67. .. . : . 2011. 4. . 41-48. VERSUS : .. . 2011. 5. . 212-230. .. - . 9: . . . 2011. 1. . 152-185. ( ۻ .. ) .. . 2011. 7. . 59-66. ջ .. .. logos. 2011. 9. . 65-70. ... .. . 2011. 9. . 57-60. : .. . 2: . 2011. . 2. 1-13. . 131-137. .. . 2: . 2011. 2. . 61-66. .. . 2011. . 2. 4-34. . 49-52. Ȼ . : .. . 2011. . 3. 16. . 39-46. .. - . 2012. 1. . 75-79. ( ) .. . 2012. 634. . 9-20. . .. . 2012. 6. . 20-22. . . 2012. 11. . 46-47. .. . 2012. 23. . 54-56. ? .. . 2012. . 32. 2. . 86-89. : .. . 2012. 7. . 38-51. .. -. 2012. 08. . 41-44. - .. . . 2012. 2-2. . 260-271. .. . 2012. . 3. 3. . 47-51. : .. . 2013. 11. . 1055-1065. 2030- XX .. . 2013. 4 (24). . 199-209.

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